“Darasuram Airavateswarar temple is near our Swamimalai kovil in Kumbakonam, isn’t it?”, asks my grandma. “Why do you want to go there? The Airavatesvara temple there is in ruins”, she continues. This news disappoints me a bit. I ask her when had she last visited the Darasuram temple, as she frequents our family temple at Swamimalai near Kumbakonam often. She ponders for a while and then answers ’long back’.
I take this as a cue to visit the UNESCO heritage temple of Airavatesvara at Darasuram or Airavateswarar temple as it dawns on me that my Kumbakonam born grandma hadn’t visited the temple in recent years, at least not after it has been painstakingly renovated by the Archaeological Survey of India.
And, thus, I embarked on my exploration of the Chola architecture and Chola sculptures at Airavateswarar temple in Darasuram, two months post the above conversation with my grandma.
Journey to Darasuram from Pattukotai
A three-hour journey from Pattukotai town, comprising of a ride on two buses and a short auto safari later, my aunt, I, and my son were standing in the erstwhile capital of the Cholas — Pazhaiyarai, that comprised of the Darasuram village.
We anticipated Chola temple ruins all over and were pleasantly surprised to make way through a well-maintained lawn that welcomed visitors to the Airavateswara temple at Darasuram.
Our entry into the Airavateswarar temple complex was through the north-eastern gate, bang in front of the Periya Nayakikovil. I decided to catch a glimpse of the micro-carvings before sunset, instead of a visit to the Amman Koil of Periya Nayaki (Goddess’ shrine) thinking she would oblige a glimpse of her on my return.
I wanted to engage a guide inside the premises of the Airavateswara temple for a better understanding of the Chola micro-carvings and sculptures of Darasuram. But, destiny had other plans. Not a single tour guide was to be found in our vicinity!
Family trip to Airavatesvara temple at Darasuram
However, due to sheer providence, I found a perfect ‘guide’ that evening on our family trip to the Airavateswara temple at Darasuram. Based on his inputs, further readings, and research, I have put together this detailed guide to planning a trip to Airavateswarar temple at Darasuram, with explanations around its Chola architecture, Chola sculptures, and more…
Darasuram temple history
The temple of Rajarajeshwara in Darasuram was built by Rajaraja II in the year 1167. He ruled the Chola empire from 1146 CE to 1173.
The deity here was originally named Rajarajeshwarar. However, in later years people started referring to the presiding deity as ‘Airavateswarar’ owing to the legend surrounding the place.
Apart from this, I also read a story in a forum about a cow-herdess who was responsible for the construction of the temple.
It is widely believed that the temple was built to satisfy the promise to a cow-herdess who donated the stone that forms the top of the vimana at the Big temple. It was her wish to have a temple built by the Cholas in her village Darasuram too. Well, I am not very sure about the authenticity of this story though…
Legend around Airavatesvara temple
Airavata — the majestic white elephant, a vehicle of Lord Indra, was once cursed by Sage Durvasa to lose its pristine white colour. Heart-broken and humiliated, Airavata supposedly prayed to Lord Shiva at the very spot in Darasuram, where the temple exists and regained its white colour after taking a dip in a nearby temple tank. From then on, the Shiva lingam at the original Rajarajeswara temple came to be known as ‘Airavateswarar’.
Nandi Mandapam at Airavateswarar temple
A glimpse of the uncrowded spick and span environs of the Airavateswarar temple complex at Darasuram and the architectural delight in granite against an evening sky cheered me a bit.
I wondered where were the quintessential gopuram that is usually the entry points and a fixture of Tamil temple architecture. My aunt pointed out to the ruins on our left. It indeed was the east-gopuram ruins that have been cordoned off.
As the sun was in a hurry to log out for the day, we dashed quickly inside the Airavateswarar temple complex through the second gopuram, but only after praying to the Nandi enshrined in the Nandi Mandapam that adjoins the ‘Bali Peetam’.
Darasuram – a repository of Chola architecture and Chola sculptures
Every nook and corner of the Airavateswarar temple façade is adorned with intricately chiselled beauties of granite.
Though the Darasuram temple adheres to the Dravidian architecture and aesthetic sense of the Cholas on the lines of the Big temple and Gangaikondacholapuram temple, yet it is a class apart. And, I did not know where to look and which of the sculptures to admire. This truly was a problem or should I say – a delight of plenty!
Just as my aunt and I were admiring the delightfully unique sculptures set in various niches of the Airavateswara temple, we realized that my son had escaped our ever-attentive eyes.
So, we quickly ascended the intricately carved steps of the mandapam that resembled a chariot being drawn in opposite directions by the horse and the elephant.
Garbagriha(sanctum sanctorum) of Airavateswarar
As if through an intervention of Providence, we were informed on the whereabouts of the brat by one of the Darasuram temple priests who accompanied us inside.
My son was inside the garbhagriha, standing in front of the Shiva lingam with his hands folded in reverence and I just could not believe my eyes. Looked like he was smitten by the charm of the Darasuram temple, as if in a trance!
The priest performed the evening Poojai ( religious rituals) to the Shiva lingam and we had a good darshan of the main deity of the temple at Darasuram, Airavateswara. Post the rituals, the priest casually enquired us of our whereabouts and purpose of the visit, while confessing that not many outsiders actually visit Darasuram. Ah! what a loss…I thought.
Upon enquiring him about the availability of guides, he answered in the negative and surprise of surprises- offered to take us around and be our guide. We could not consider this as anything else but divine interference and blessing of Airavatesvarar.
The priest kickstarted this one-of-a-kind tour of the Darasuram temple, by giving a glimpse into the historical background of the Airavateswarar Kovil followed by ancient stories around the Chola, architecture and then concluded with the sculptural aspects.
The architecture of Darasuram Airavateswarar temple
The original Rajarajeswara temple at Darasuram had been much larger. Owing to the destruction of the surrounding temples built by the Hindu rulers by Muslim invaders, much of the complex was lost barring what remains of the temple now.
Unlike the elaborate high vimana and large-scale constructions of the Big temple and Gangaikondacholapuram temple, the architecture of Airavateswarar temple at Darasuram looks subdued. However, it would not be a mistake to say that here at Darasuram temple, grandeur is compensated with intricacy!
The vimana of Airavateswara temple is 5 tiered and soars to a height of around 80 feet.
I have discussed in detail the sculptures and micro-carvings of the Airavateswarar temple, in part-2 of this blog-post on Darasuram Airavateswarar temple and its Chola micro-carvings and sculptures
You may want to read more about the sculptures and carvings in the part-2 of this blog post on Darasuram Airavateswarar temple
Darasuram Airavateswarar temple mandapam and unique Chola sculptures
The segregation of a temple into mandapam is facilitated for religious needs, provide better service to devotees, as well as providing shelter for people to rest. The Darasuram temple is also divided into four various mandapam ( hall)
- Rajagambhira Mandipam
Let me guide you through all the four mandapams of the Airavatesvara temple in detail with a short note on its significance.
The fleet of Darasuram temple’s ornate stairs that we had ascended before was the Rajagambhiran-thiru-mandapam designed in the form of a chariot. It consists of intricately chiselled pillars and columns, thus catering to the philosophy behind the construction of the temple, which is ‘Nithyavinodham’.
This design at Darasuram temple seems to be a precursor to the Konark temple in Orissa.
Rajagambhira mandapam of Darasuram temple
The Rajagambhira mandapam has eight pillars that have the mythical Yali(Yazhi)carved at its base.
Yali is a mythical creature with the face of an elephant but the body of a lion, the ears are that of a pig with horns of a Ram and tail of a cow!
It was interesting to see the Yali, here in a Chola temple, which is otherwise considered a symbol of Pallava architecture.
Along with the Mookahmandapam adjoining the Rajahgambhiramandapam, the pillars and columns of the Darasuram temple are profusely and intricately carved.
We were informed by the priest that four of the pillars in the mandapam have carvings and sculptures with renditions of the Skanda Purana totalling 48 sculptures with 12 each on every pillar.
The priest also brought our attention to the Ardhamandapam of the Darasuram temple that has plain pillars — devoid of carvings, unlike the other two mandapams.
This is a permanent feature in all temples owing to the same reason that’s done to facilitate mindfulness and undivided attention on the part of devotees towards the divine deity.
The Ardhamandapam connects the Mookahmandapam with Garbagriha. The priest of the Airavateswarar temple later showed us the various micro-carvings and sculptures that I have covered in detail with a guide on the Chola micro-carvings and sculptures at Darasuram
Sarabeswarar shrine inside Darasuram Airavatesvara temple
There are several smaller shrines dedicated to various Gods and Goddesses around the shrine of the presiding deity, Airavateswarar of Darasuram temple. The one shrine that caught my attention and which I had never seen before is that of Sarabeswarar.
This shrine for Sarabeswarar has a wonderfully carved bas-relief with intricate details. Shiva took the form or avatar of Sarabeswarar — a fusion of man, eagle, and lion – to relieve the devas (celestial deities) from the fury of Vishnu who was roaring with rage in the form of Narasimha after he slew Hiranyakashipu.
The sculpture of Sarbeswaramurti in the Darasuram Airavateswar temple is seen with three legs, the body and face of a lion, and a tail. It has four human arms, the right upper hand holds an axe, the noose is held in the lower right hand, the deer in the upper left hand, and fire in the lower left hand. Narasimha is shown with eight arms struggling under Sharbeshwaramurti’s feet.
By the way, do you see how the discus and the conch are shown to have fallen from Lord Narasimha’s hands?
I wondered if this reflects the times when there was a conflict between Shaivism and Vaishnavism. After all, art is an extrapolation of the happenings in our society, isn’t it?
A guide to Darasuram temple sculptures and carvings
Taking a pradhakshinam (circumambulation) around the Darasuram temple, we came across various long corridors with sculptures, paintings, and bas-reliefs.
Unfortunately, we could not see much of these as it was too dark and we had to rush, as the closing time of the temple was nearing. I hope to visit the Airavatesvarar temple again very soon in broad daylight!
This 1000-year-old gem called Airavateswarar Koil glittered like gold against an azure evening sky that day, and I could not but thank the Cholas for having built it with granite making it endure the test of times.
As I compile this post, I realize that it isn’t easy to bring out the various aspects of a gem of a temple-like Darasuram Airavatesvara in a mere few thousand words.
In the infographic below, I have mentioned the topics covered in the part-2 of my blog post on understanding the Darasuram temple sculptures. Read part 2 by clicking on Guide to understanding the Darasuram temple sculptures
Topics covered in Part-2 on Darasuram
I hope this information helps and motivates you to visit this gem called Darasuram temple. Also, you may want to read part-2 of this blog-post and visit the Darasuram Photogallery
Meanwhile, I would appreciate your thoughts and opinions on this write-up around the Darasuram temple and also on the Cholas 🙂
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